FAQ on the Behutet Trilogy and Khamitic Literature

1. Where do book ideas and themes originate, and how has your approach evolved?

Initially, I drew inspiration from everyday life. However, my current approach is rooted in the cosmology of Ancient Kamit (Ancient Egypt). I find that ritual experiences and cosmological writings serve as powerful sources for my themes. For example, my Behutet series was inspired by a male virility ritual meditation. I encourage writers to tap into their culture, history, and spiritual practices to find unique themes. The purpose of art should be to elevate and promote the best in your nation.

2. What is the importance of structure in crafting a story, and how can we approach it?

Structure is crucial for transforming an idea into a book. One helpful method is using a "quardrum" of characters: a protagonist, antagonist, guardian, and contagonist. This structure isn't static; you can add other roles like sidekicks or characters representing emotions or skepticism. My quardrum is often based on the cosmology of Ancient Egypt, while many modern stories derive from the sixty four action sets. I encourage writers to study other frameworks, like that of Dramatica Pro which is based on I-Ching 64 hexagrams, to find what suits your story best.

3. How do you approach character development, particularly your protagonists, and how is this different from mainstream approaches?

My protagonists are built using the Ausarian initiation system and rooted in Kamitic cosmology. Unlike Western models where heroes often seek revenge, my characters, like Herukhuti, are divine warriors who nurture peace and oneness through the principle of cause and effect. This approach is different because it emphasizes overcoming internal conditionings through spiritual means like meditation, promoting growth and elevating others over achieving victory through violence. I use oracle readings and the Metu Neter and I-Ching to develop my characters.

4. How does ancient Kamitic cosmology influence your writing process, and can you give an example?

Ancient Kamitic cosmology serves as the foundation for my writing, particularly the concept of the Tree of Life (Mandala). My characters are often positioned within its spheres, reflecting their roles and journeys. For example, Herukhuti, as a divine warrior, is based on the 5th sphere in the mandala, and is always seeking inner peace first. This grounding in cosmology allows me to explore themes and actions from a divine and philosophical perspective, providing a deeper meaning and impact. The story is also founded on the legend of Behutet or the Winged Disc, and the story of which is shown in the hieroglyphics on the walls of the temple in Edfu.

5. What are some effective strategies for publishing and protecting your work?

Once you have a draft, protect it by sending it to the Library of Congress to obtain an ISBN number, which establishes your copyright. You don't need to send the final document until it is complete. In the past, publishers handled the marketing, but with the internet, writers can now level the playing field. Create a website that acts as an interface to your audience, allowing them to understand your themes and engage with your work. Utilize social media platforms to further promote your book.

6. What is "oracle writing", and how do you apply this to your creative process?

Oracle writing involves consulting divine tools like the Metu Neter and the I-Ching to make choices throughout the writing process. I check my themes, characters, plot, and story endings with the oracle. This practice is essential, because it helps me make decisions about what to write, and how to write it. It’s a way to make sure I’m fulfilling my purpose of elevating and promoting the best in my culture.

7.What is the core message or philosophy behind your writing?

My philosophy behind writing is to elevate my people and culture by creating positive heroes that bring out the best in our people. Rather than focusing on revenge, I aim to inspire readers to seek peace and spiritual growth. My stories encourage us to overcome negative conditionings through introspection and meditation, promoting a divine principle of justice and protection that moves beyond mundane human struggles. The purpose of art is to serve the needs of a people, to teach and promote the best in your culture.